OPPOSITION “MAD”/“SANE” IN THE SOCIETY OF THE CULTURE OF DOMINATION AND ART AS A RESPONSE TO THE LIMITING MECHANISMS OF IT IN SHELAGH STEPHENSON’ S DRAMAS THE MEMORY OF WATER AND FIVE KINDS OF SILENCE
Keywords:
уметност, позориште, друштво, култура доминације, „лудило“Abstract
The possible solutions for the limiting mechanisms of the culture of domination, as suggested by bell hooks, Paolo Freire, Martin Luther King and Peter Sellers, are the critical awareness and response to life, the Prometheus-like fight, the creative maladjustment and the culture of focus. Also, art should reflect reality as it is and should “stretch our thoughts” so that we could think and act beyond set paradigms. Stephenson does not only reflect the reality but also shows that “madness” is a necessary balance for sense which should not be silenced by any mechanisms the society offers and by the adjustment to them.
References
1. Adam Curtis, documentary show: What Happened to Our Dreams of Freedom
2. Антонен Арто, Позориште и његов двојник, Просвета, Београд, 1971.
3. Aime Cesaire, Discourse on Colonialism, Monthly Review Press, New York, 2000.
4. Frantz Fanon, The Wretched of the Earth, Grove Press, New York, 2004.
5. Фридрих Ниче, рођење трагедије, Дерета, Београд, 2001.
6. James Roose-Evans, Experimental Theatre, Universe Books, New York, 1984.
7. J. C. Ransom, “Poetry: A note on ontology”, Literature, culture, identity: introducing XX century literary theory, Лена Петровић, Просвета, Ниш, 2004.
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9. Harold Pinter, speech at the Nobel Lecture: Art, Truth and Politics.
10. Martin Luter King, speech: Creative Maladjustment.
11. Michael Parenti, speech: Terrorism, Globalization, Conspiracy.
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13. Neil Postman, „Conscientious Objections: Stirring Up Trouble About Language, Technology and Education“, Vintage Books, New York, 1988.
14. Платон, Држава, Дерета, Београд, 2005.
15. Роналд Харвуд, Историја позоришта- Цео свет је позорница, Клио, Београд, 1998.
16. Stephenson, Shelagh, The Memory of Water, Methuen Drama, London, 1997.
17. Stephenson, Shelagh, Five Kinds of Silence, Methuen Drama, London, 1997.
18. T. S. Eliot, “The Metaphysical poets”, Literature, culture, identity: introducing XX century literary theory, Лена Петровић, Просвета, Ниш, 2004.
19. T. S. Eliot, “Tradition and the individual talent”, Literature, culture, identity: introducing XX century literary theory, Лена Петровић, Просвета, Ниш, 2004.
20. http://www.answers.com/topic/bell-hooks
21. www.fcis.oise.utoronto.ca/~daniel_schugurenshy/freire/to.html
22. http://www.playwrightsfoundation.org/images/previous%20teachers/at_jan08_transgressionFINAL.pdf
23. http://pbs.org/wgbh/questionofgod/voices/sellars.html
24. http://www.abc.net.au/arts/sellars/default.html
25. http://www.abc.net.au/arts/sellars/page4.htm
26. http://www.sf360/features/peter-sellars-the-state-of-cinema
27. http://www.answers.com/topic/bell-hooks
28. www.hubpages.com/hub/bell-hooks-hates-rape
29. www.fcis.oise.utoronto.ca/~daniel-schugurensky/freire/to.html
2. Антонен Арто, Позориште и његов двојник, Просвета, Београд, 1971.
3. Aime Cesaire, Discourse on Colonialism, Monthly Review Press, New York, 2000.
4. Frantz Fanon, The Wretched of the Earth, Grove Press, New York, 2004.
5. Фридрих Ниче, рођење трагедије, Дерета, Београд, 2001.
6. James Roose-Evans, Experimental Theatre, Universe Books, New York, 1984.
7. J. C. Ransom, “Poetry: A note on ontology”, Literature, culture, identity: introducing XX century literary theory, Лена Петровић, Просвета, Ниш, 2004.
8. J. C. Ransom, “Criticism Inc…”, Literature, culture, identity: introducing XX century literary theory, Лена Петровић, Просвета, Ниш, 2004.
9. Harold Pinter, speech at the Nobel Lecture: Art, Truth and Politics.
10. Martin Luter King, speech: Creative Maladjustment.
11. Michael Parenti, speech: Terrorism, Globalization, Conspiracy.
12. Мишел Фуко, Историја лудила у доба класицизма, Нолит, Београд, 1980.
13. Neil Postman, „Conscientious Objections: Stirring Up Trouble About Language, Technology and Education“, Vintage Books, New York, 1988.
14. Платон, Држава, Дерета, Београд, 2005.
15. Роналд Харвуд, Историја позоришта- Цео свет је позорница, Клио, Београд, 1998.
16. Stephenson, Shelagh, The Memory of Water, Methuen Drama, London, 1997.
17. Stephenson, Shelagh, Five Kinds of Silence, Methuen Drama, London, 1997.
18. T. S. Eliot, “The Metaphysical poets”, Literature, culture, identity: introducing XX century literary theory, Лена Петровић, Просвета, Ниш, 2004.
19. T. S. Eliot, “Tradition and the individual talent”, Literature, culture, identity: introducing XX century literary theory, Лена Петровић, Просвета, Ниш, 2004.
20. http://www.answers.com/topic/bell-hooks
21. www.fcis.oise.utoronto.ca/~daniel_schugurenshy/freire/to.html
22. http://www.playwrightsfoundation.org/images/previous%20teachers/at_jan08_transgressionFINAL.pdf
23. http://pbs.org/wgbh/questionofgod/voices/sellars.html
24. http://www.abc.net.au/arts/sellars/default.html
25. http://www.abc.net.au/arts/sellars/page4.htm
26. http://www.sf360/features/peter-sellars-the-state-of-cinema
27. http://www.answers.com/topic/bell-hooks
28. www.hubpages.com/hub/bell-hooks-hates-rape
29. www.fcis.oise.utoronto.ca/~daniel-schugurensky/freire/to.html
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Published
12-25-2009
How to Cite
Пeјановић Ј. (2009). OPPOSITION “MAD”/“SANE” IN THE SOCIETY OF THE CULTURE OF DOMINATION AND ART AS A RESPONSE TO THE LIMITING MECHANISMS OF IT IN SHELAGH STEPHENSON’ S DRAMAS THE MEMORY OF WATER AND FIVE KINDS OF SILENCE. Nasleđe, 6(14/2), 71–82. Retrieved from http://35.189.211.7/index.php/nasledje/article/view/231
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Section
MADNESS AND SOCIETY
