PINTEROV „TEATAR JEZIKA“
Keywords:
kitchen-sinkAbstract
The purpose of this article is to present typically pinteresque style first by drawing attention to the early and later response to Pinter’s dramatic work, and then by analysing the stylistic devices of mannerist dialogues and verbal repetitions on the examples taken from The Room, The Birthday Party and The Caretaker.
References
Billington, Michael (1997), The Life and Work of Harold Pinter, Faber And Faber Ltd, London
Čirić, Ifeta (2007), Dramski jezik Samuela Becketta, u: Pismo, V/I, 293-312
Čirić, Ifeta (2008), Govor tišine: Dramske pauze u djelima Samuela Becketta i Harolda Pintera, u: Novi Izraz, 40, 84-94
D’Amico, Silvio (1972), Povijest dramskog teatra, nakladni zavod MH, Zagreb
Dizdar, Srebren (1986), Dramski jezik Edwarda Albeejy i Harolda Pintera, u: IZRAZ 1-2, 66-87.
Dizdar, Srebren (2005), U traganju za izgubljenim dramatičarem: ponovno sagledavanje drama Harolda Pintera, u: Novi Izraz, 30, 77-88
Dukore, Bernard F. (1976), Where Laughter Stops: Pinter’s Tragicomedy, University of Missioury Press, Columbia
Dukore, Bernard F. (1988), Harold Pinter, Second Edition, Macmillan Education Ltd, London
Esslin, Martin (1970), Brief Chronicles: Essays on Modern Theatre, Temple Smith, London
Esslin, Martin (1973), Harold Pinter: A Study of His Plays, Eyre Methuen, London
Hayman, Ronald (1979), Theatre and AntiTheatre (New Movements since Beckett), Secker and Warburg Ltd, London
Hinchliffe, Arnold (1976), Harold Pinter, The Macmillan Press Ltd, New York
Katnić-Bakaršić, Marina (2001), Stilistika dramskog diskursa, Ljiljan, Sarajevo
Kennedy, Andrew K. (1975), Six Dramatists in Search of a Language: Studies in dramatic language, CUP, Cambridge
Kennedy, Andrew K. (1983), Dramatic Duologues of Personal Encounter, Cambridge University Press, Cambridge
Lešić, Zdenko (2005), Teorija književnosti, Sarajevo Publishing, Sarajevo
Raby, Peter (2001), The Cambridge Companion to Harold Pinter, CUP, Cambridge
Čirić, Ifeta (2007), Dramski jezik Samuela Becketta, u: Pismo, V/I, 293-312
Čirić, Ifeta (2008), Govor tišine: Dramske pauze u djelima Samuela Becketta i Harolda Pintera, u: Novi Izraz, 40, 84-94
D’Amico, Silvio (1972), Povijest dramskog teatra, nakladni zavod MH, Zagreb
Dizdar, Srebren (1986), Dramski jezik Edwarda Albeejy i Harolda Pintera, u: IZRAZ 1-2, 66-87.
Dizdar, Srebren (2005), U traganju za izgubljenim dramatičarem: ponovno sagledavanje drama Harolda Pintera, u: Novi Izraz, 30, 77-88
Dukore, Bernard F. (1976), Where Laughter Stops: Pinter’s Tragicomedy, University of Missioury Press, Columbia
Dukore, Bernard F. (1988), Harold Pinter, Second Edition, Macmillan Education Ltd, London
Esslin, Martin (1970), Brief Chronicles: Essays on Modern Theatre, Temple Smith, London
Esslin, Martin (1973), Harold Pinter: A Study of His Plays, Eyre Methuen, London
Hayman, Ronald (1979), Theatre and AntiTheatre (New Movements since Beckett), Secker and Warburg Ltd, London
Hinchliffe, Arnold (1976), Harold Pinter, The Macmillan Press Ltd, New York
Katnić-Bakaršić, Marina (2001), Stilistika dramskog diskursa, Ljiljan, Sarajevo
Kennedy, Andrew K. (1975), Six Dramatists in Search of a Language: Studies in dramatic language, CUP, Cambridge
Kennedy, Andrew K. (1983), Dramatic Duologues of Personal Encounter, Cambridge University Press, Cambridge
Lešić, Zdenko (2005), Teorija književnosti, Sarajevo Publishing, Sarajevo
Raby, Peter (2001), The Cambridge Companion to Harold Pinter, CUP, Cambridge
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Published
06-28-2009
How to Cite
Čirić, I. (2009). PINTEROV „TEATAR JEZIKA“. Nasleđe, 6(12), 107–119. Retrieved from http://35.189.211.7/index.php/nasledje/article/view/181
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