EUGENE O’NEILL AND FRIEDRICH NIETZSCHE
Keywords:
metaphor, tragedy, mask, Dionysus, dismemberment, rebirth, the unconsciousAbstract
The paper deals with the decisive influence of Friedrich Nietzsche on the American playwright Eugene O’Neill in shaping his entire conception of the tragic. The focus is on O’Neill’s plays The Hairy Ape and The Great God Brown.
References
C. W. E.Bigsby, A Critical Introduction to Twentieth Century American Drama, Volume One 1900-1940, Cambridge University Press, Cambridge, 1996.
Stephen A. Black, Eugene O’Neill, Beyond Mourning and Tragedy, Yale University press, new Haven and London, 1999.
Leonard Chabrowe, Ritual and Pathos, The Theater of O’Neill, Associated University Presses, London and New Jersey, 1976.
Terry Eagleton, Sweet Violence, The Idea of the Tragic, Blackwell Publishing, Oxford, 2003.
Sigmund Freud, Civlization and its Discontents, W. W. Norton, New York, London.
C. G. Jung, “Psychology of the Unconscious”, in The Archetypes and the Collective Unconscious, Collected Works of C.G.Jung, Vol.9, Bollingen Series XX, Princeton.
Eugene O’Neill, The Hairy Ape and The Great God Brown, in: Nine Plays by Eugene O’Neill, Random House, New York, selected by the author, Random House, New York.
Rush Rehm, Radical Theatre: Greek Tragedy and the Modern World, Duckworth, London, 2003.
James A. Robinson, “The Middle Plays”, in The Cambridge Companion to Eugene O’Neill, edited by Michael Manheim, Cambridge University Press, Cambridge, 1998.
Edward Shaughnessy, “Mask in the Dramaturgy of Yeats and O’Neill”, Irish University Review, University College, Dublin, 1984
William Storm, After Dionysus, A Theory of the Tragic, Cornell University Press, Ithaca and London, 1998.
Egil Tornquist, ‘O’Neill’s philosophical and literary paragons’, The Cambridge Companion to Eugene O’Neill, edited by Michael Manheim, Cambridge, Cambridge University press, 1998, 18-32.
Stephen A. Black, Eugene O’Neill, Beyond Mourning and Tragedy, Yale University press, new Haven and London, 1999.
Leonard Chabrowe, Ritual and Pathos, The Theater of O’Neill, Associated University Presses, London and New Jersey, 1976.
Terry Eagleton, Sweet Violence, The Idea of the Tragic, Blackwell Publishing, Oxford, 2003.
Sigmund Freud, Civlization and its Discontents, W. W. Norton, New York, London.
C. G. Jung, “Psychology of the Unconscious”, in The Archetypes and the Collective Unconscious, Collected Works of C.G.Jung, Vol.9, Bollingen Series XX, Princeton.
Eugene O’Neill, The Hairy Ape and The Great God Brown, in: Nine Plays by Eugene O’Neill, Random House, New York, selected by the author, Random House, New York.
Rush Rehm, Radical Theatre: Greek Tragedy and the Modern World, Duckworth, London, 2003.
James A. Robinson, “The Middle Plays”, in The Cambridge Companion to Eugene O’Neill, edited by Michael Manheim, Cambridge University Press, Cambridge, 1998.
Edward Shaughnessy, “Mask in the Dramaturgy of Yeats and O’Neill”, Irish University Review, University College, Dublin, 1984
William Storm, After Dionysus, A Theory of the Tragic, Cornell University Press, Ithaca and London, 1998.
Egil Tornquist, ‘O’Neill’s philosophical and literary paragons’, The Cambridge Companion to Eugene O’Neill, edited by Michael Manheim, Cambridge, Cambridge University press, 1998, 18-32.
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Published
12-12-2018
How to Cite
Настић, Р. (2018). EUGENE O’NEILL AND FRIEDRICH NIETZSCHE. Nasleđe, 5(10), 115–122. Retrieved from http://35.189.211.7/index.php/nasledje/article/view/151
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